Opinion

A little-seen show at London’s ICA introduced many of the ideas now driving a multibillion-dollar market

London's far-flung galleries will fill with visitors this weekend, but beyond the monied centre, will anyone actually buy?

Charlotte Jansen counsels an artist grappling with artworld pressures around style, body shape and self-image

Hilde Lynn Helphenstein became one of the most influential and divisive voices in the art world, yet her death exposes the pressures and costs of public life online – writes Gabriella Angeleti in her column, Private Views

Agony Aunt Charlotte Jansen advises an independent gallerist defending a controversial artist in public while harbouring private doubts

In her column Private Views, Gabriella Angeleti reports on burnt out gallerists, branding exercises and whispered Venice scandals ending with foraged soup and guided meditation at Storm King Art Center 

In her second Agony Aunt column, Charlotte Jansen soothes a Venice Biennale curator with an emotional hangover

The Art Journal's resident artworld Agony Aunt Charlotte Jansen answers your questions about access, gatekeeping and sticky social problems

The 61st edition of the biennale reflects the terminal insularity of the contemporary art world