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The 61st edition of the biennale reflects the terminal insularity of the contemporary art world


In her third Private Views column, Gabriella Angeleti reports from the desert – where she visits the Nevada Museum of Art’s triennial Art + Environment Summit

A century after the 1926 United Kingdom general strike, threats by artists to withdraw their labour have produced mixed results

In her second dispatch for Private Vie, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language

Fifty years after the dictator’s death, Spain’s artists and museums are confronting a legacy that refuses to stay in the past

The 2026 shortlist is notably light on market power, signalling an art prize that no longer converts reputation into instant value. Is this welcome?
HIV is not a closed chapter, yet AIDS-related art is increasingly treated as one. As institutions and markets embrace this work, what is lost when urgency becomes history?