Opinion

In her column Private Views, Gabriella Angeleti reports on AI, Ansel Adams, Trevor Paglen and a new photography centre as images increasingly leave the real world

Basel Exclusive aims to restore surprise to the art fair model – but can a return to anticipation reverse years of pre-selling and private dealing?

The Art Journal’s resident artworld Agony Aunt Charlotte Jansen answers a new mother struggling to balance work and childcare

Will death mask the misogyny of one of Germany’s most highly valued artists?

A little-seen show at London’s ICA introduced many of the ideas now driving a multibillion-dollar market

Charlotte Jansen counsels an artist grappling with artworld pressures around style, body shape and self-image

Hilde Lynn Helphenstein became one of the most influential and divisive voices in the art world, yet her death exposes the pressures and costs of public life online – writes Gabriella Angeleti in her column, Private Views

Agony Aunt Charlotte Jansen advises an independent gallerist defending a controversial artist in public while harbouring private doubts