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The Art Journal’s resident artworld Agony Aunt Charlotte Jansen answers a new mother struggling to balance work and childcare

Will death mask the misogyny of one of Germany’s most highly valued artists?

A little-seen show at London’s ICA introduced many of the ideas now driving a multibillion-dollar market

London's far-flung galleries will fill with visitors this weekend, but beyond the monied centre, will anyone actually buy?

Charlotte Jansen counsels an artist grappling with artworld pressures around style, body shape and self-image


Agony Aunt Charlotte Jansen advises an independent gallerist defending a controversial artist in public while harbouring private doubts


In her column Private Views, Gabriella Angeleti reports on burnt out gallerists, branding exercises and whispered Venice scandals ending with foraged soup and guided meditation at Storm King Art Center

In her second Agony Aunt column, Charlotte Jansen soothes a Venice Biennale curator with an emotional hangover
Charlotte Jansen advises on a uniquely intense friendship formed in the early stages of a creative career
Qatar’s presence in the Giardini reveals how national pavilions increasingly function as tools of global cultural branding – even as the artists they platform position themselves against state power