Features

From tacos to toast to toilets, here’s the definitive verdict on London’s signature art event.

Internal emails reveal that the museum’s chair introduced controversial billionaire Igor Tulchinsky to the institution and approved negotiations over his reported £5 million sponsorship of the Bayeux Tapestry. But key findings from its donor assessment remain redacted

Flavia Nespatti’s new space offers a London base for Latin American art in a market shaped by import taxes and political swings. As Flávio Bolsonaro heads to a runoff against Lula, her concern is what another Bolsonaro government could mean for Brazil’s cultural institutions.

From London newcomers to galleries bringing artists from Haiti, Bosnia and Romania, these are five first-time exhibitors to seek out at Frieze London this week

As $18.3 trillion prepares to pass between generations, two New York art fairs suggest the inheritance at stake is one of taste as much as capital, with younger collectors steering demand towards forgotten artists and lower price points.

Once upon a time on Manhattan’s far West Side: Aimee Walleston visits the Armory Show, where the art has to compete with the sheer misery of the Javits Center.

For a few dollars more, collectors at Independent 20th Century’s new home at the Breuer can take home art with plenty of life left in it – while younger artists might pick up a few lessons for free

As the Turner Prize opens in Middlesbrough, we look at what its four shortlisted artists are asking viewers to see – and set the early odds on who might take home the £25,000 prize

The Long Read: Around 200 London artists handed their work to a scheme that offered financial support later in life. Twenty years on, the trust has paid out nothing. Nearly 50 affected artists – including a Turner Prize winner and eight nominees – are fighting to recover their work

After winning 43.8% of the vote, the far-right party wants public funding to promote German identity. Cultural institutions warn its plans could subordinate artistic freedom to political ideology

Before artists could respond to 9/11, images of the event had already circled the world. Twenty-five years later, art still struggles to represent a uniquely cinematic catastrophe, one experienced and understood largely through its visual record

Igor Tulchinsky is helping fund one of the British Museum’s biggest ever exhibitions. But he has also reportedly recruited a former Israel Defense Forces major general to lead an Israeli venture capital operation whose investments include "deep-tech" defence technologies