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A person sits at an easel in a spacious art studio, painting a large canvas surrounded by brushes, artwork, and creative supplies.

Help! I Hate... My Collector

A gallerist struggles to balance their collector’s aesthetic desires and guard their artist’s creative boundaries. Charlotte Jansen advises

Charlotte Jansen
Lisette May Monroe, Neighbours, Collage, (2022)

What Happened to the Glasgow Art Market?

Glasgow has built an international reputation without relying on collectors or commercial galleries. As artists face rising rents and dwindling public support, that enviable model is coming under serious strain

Shalmali Shetty
Singing to the Nanomeadow Workshop, at IONE & MANN, London. 15 November 2025.

The Artworld Is Not Prepared For What's Coming

The visual arts have treated climate action as an ethical obligation. But, as extreme weather, rising costs and supply-chain disruption reshape the sector, sustainability must also become a strategy for resilience

Heath Lowndes
Rembrandt Harmensz. van Rijn, “Let The Little Children Come Unto Me”

How a Lost Rembrandt Rewrote Art History

Mistakenly sold as the work of an unknown painter, Let the Little Children Come Unto Me has become one of the art world's most extraordinary rediscoveries - revealing new insights into Rembrandt's practice and the risks of modern interpretation

Precious Adesina