Advertisment

Results

Showing 361 - 372 of 377 Articles

Booth of SMO Contemporary at Art X Lagos 2025 featuring a large central painting of four robed figures reading illuminated books at a table, flanked by two white sculptures on pedestals—one of a figure holding a balloon and basket of fruit, the other of two figures embracing—with pastel balloons and gallery lighting against white walls.

Liquidity is Not Permanence: Lagos and the Limits of Market Infrastructure

Despite a growing local commercial scene and a major retrospective of Nigerian Modernism at Tate in London, Nigeria's largest city has yet to prove its the durability of its art market.

Sabo Kpade

Climate Culture and the Politics of Caution

Joe Ware

Making Room for Milton Avery

Matthew Holman

AIDS Is Not Over. Why Does Its Art Feel So Historical?

Millen Brown-Ewens

Television as Medium: How a Century of Broadcasting Reshaped Art

Phin Jennings

The Ghost of Franco

Alexandra F. Coego

The Photographer: Was Martin Parr Just Taking the Piss?

Simon Bainbridge

The Wii Effect: How Gaming Rewired the Art of Performance

Christopher Webb

What Can the Artworld Expect from the Mamdani Era?

Rachel Kubrick

After the Avatar: Tilly Norwood and the Representation Market

Tom Seymour

After Nuremberg

Hili Perlson

Singapore’s Art Market Is Built on Policy, Not Hype

Structural factors including tax design, regulatory stability and wealth concentration are reshaping Singapore’s role as a regional art-market hub

Tom Seymour