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Almine Rech (2024). Photo: Oleg Covian, courtesy of Almine Rech

The Dealer: Almine Rech

Parisian gallerist Almine Rech speaks on backing young artists, navigating the fluctuations of the art market and why art still needs to be seen in person.

George Nelson
ArtRio 2026 edition. Photo: Courtesy of ArtRio

In Rio, the Art Market Plays It Safe

Brazil’s premier art fair retains its spectacular setting, but as political uncertainty and a subdued market weigh on collectors, dealers are finding that the appetite for high-priced works has cooled

Silas Martí
Portrait of Pooya Abbasian, Lee Ufan, Arles, 2026 © David GIANCATARINA

In Conversation: Pooya Abbasian

Ahead of two group shows in and around Paris, the dissident French-Iranian artist Pooya Abbasian talks about his association with invasive plants, the deceptive truth of documentary and the visit to France that became fifteen years of exile.

Tom Seymour and Zara Khan
Mr Bean's restoration of a painting in ‘Mr Bean: The Ultimate Disaster Movie’ (1997). Photo: Courtesy of Working Title and Tiger Aspect Films.

Help! I Hate My... Broken Artwork

Artworld Agony Aunt Charlotte Jansen advises a panicked gallery assistant through the crucial steps of damage control after an artwork mishap

Charlotte Jansen
Artist Sagarika Sundaram sits with her work Blue Mountain 2026 in her exhibition Reservoir at Henry Moore Institute. Courtesy the artist, Henry Moore Institute and Alison Jacques, London. Photo: Rob Harris

Sagarika Sundaram: Taking Wool Seriously

At her first solo museum exhibition in Leeds, Sundaram discusses the physical demands of her felt sculptures, the politics of cloth and why collaboration should not diminish her authorship

Zara Khan
The Armory Show 2026. Photo by Kunning Huang. Courtesy of The Armory Show 2026.

The Good, the Bad, the Ugly: The Armory Show

Once upon a time on Manhattan’s far West Side: Aimee Walleston visits the Armory Show, where the art has to compete with the sheer misery of the Javits Center.

Aimee Walleston
Rashid Al Khalifa, Inhabited Crate- Multicolored, 2026, Galvanized Steel Mesh, 480 × 380 × 300 cm. Photograph, Kayhan Kaygusuz. Courtesy Contemporary Istanbul

At Contemporary Istanbul, Politics Is Everywhere – Except The Art

At Turkey’s annual art fair, talk of political uncertainty competes with lavish hospitality. Over a week of art and dinners, the politics of who is funding the fair is more conspicuous than anything in the booths. For Private Views, Gabriella Angeleti reports

Gabriella Angeleti
Martha Diamond, Yellow Sky (1986). Photo: Jussi Koivunen, courtesy of the Martha Diamond Trust

Martha Diamond Finally Gets Her Own Show in Europe

Admired by fellow artists but little known to wider audiences, Martha Diamond made New York’s skyline her own. Her first European solo exhibition, at Finland’s Sara Hildén Art Museum, asks us to look beyond the cityscape

George Nelson
The Breuer Building, 945 Madison Avenue, New York, 2023. Photograph by Max Touhey

The Good, the Bad, the Ugly: Independent 20th Century

For a few dollars more, collectors at Independent 20th Century’s new home at the Breuer can take home art with plenty of life left in it – while younger artists might pick up a few lessons for free

Aimee Walleston