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Gagosian Scales Back in London and Basel

The exits are the latest in a series of mega-galleries downsizing, including Pace’s layoffs earlier this year and David Zwirner’s Manhattan departure

The Art Journal

Help! I Hate… My Copycat

Artworld Agony Aunt Charlotte Jansen answers an artist whose peer seems to be taking more than just inspiration from their work

Charlotte Jansen
A panel discussion in a gallery space with three speakers seated before a grid of black-and-white architectural photographs, addressing a seated crowd during a Tate Late event.

The Growing Power of Museum Patrons

Britain’s leading museums are becoming increasingly reliant on patron schemes to sustain exhibitions, collections and public access

Maya Stoilova
A woman sits at a white Tulip table in a minimal apartment dining area, with a gallery wall of colourful artworks, an Arne Jacobsen clock, and Saarinen chairs around her.

The Next-Gen Collectors: Linda Du

The collector, entrepreneur and investor tells The Art Journal why joy-led acquisitions can be just as valuable as those motivated by monetary returns

Ella Slater
An ornate historic hall with frescoed ceilings, red velvet drapes, and a central video installation displaying two figures bathed in red and blue light, reflected on the polished floor.

The Artist: Shirin Neshat Has No Time for Certainty

As her adopted country wages war against the nation of her birth, Shirin Neshat argues that art should complicate political narratives rather than reinforce them. She reflects on exile, identity, war and the enduring value of ambiguity

Simon Bainbridge