Results

Wulf Herzogenrath, Curator, 1944–2026
The curator championed video and new media art, as well as acting as the director of Kunsthalle Bremen for seventeen years

After Tiwani: The New Economics of African Gallery Spaces
What has been lost in the closure of Tiwani? What can be learnt? And how are other galleries responding to the same commercial pressures?

Keir Starmer’s Cultural Legacy: The Verdict
After election in 2024, Labour placed culture at the centre of economic policy while dramatically expanding state oversight of cultural life online.

Manila Beyond Institutional Capital
In Manila, the Philippines, the market ecology will simply collapse without the private sector due to a lack of sustainable public institution support

Art Basel’s Little Brazil
Does the record turnout for Brazilian galleries at Basel reflect recent optimism about the country’s domestic art market?

The Best of VOLTA Art Fair in Basel
Ella Lewis-Williams reports on the works to look out for at Art Basel’s more accessible art fair counter

Help! I Hate... My Publicist
Agony Aunt Charlotte Jansen advises on a publicist struggling to balance professionalism and partying

Amedeo Modigliani Scholar Disputes AI Art Authentication Firm’s Claim
The Swiss company announced that a painting had become the first AI-authenticated artwork to appear in an official catalogue raisonné

Seven Exhibitions to See in July, From Our Editors
A selection of shows to catch before the artworld winds down for summer, picked by The Art Journal’s editors and contributors

Zero 10 Returns to Basel with a Museum, Not a Marketplace
Six months after launching in Miami Beach with OpenSea, Art Basel’s digital section has swapped its commercial partner for a curatorial thesis

Staff of Umoja Art Gallery Denied Visas Before Africa Basel
The event occurred a week before the opening of the Africa Basel art fair on June 17
.jpeg%3F2026-06-18T10%3A31%3A30.297Z&w=3840&q=100)
New Curators Secures £3 Million Funding from the Bukhman Foundation
The organisation runs a free and paid year-long training programme for aspiring curators from structurally disadvantaged socio-economic backgrounds
