More to explore

Is the Great Wealth Transfer Already Reshaping the Art Market?
As $18.3 trillion prepares to pass between generations, two New York art fairs suggest the inheritance at stake is one of taste as much as capital, with younger collectors steering demand towards forgotten artists and lower price points.

In Rio, the Art Market Plays It Safe
Brazil’s premier art fair retains its spectacular setting, but as political uncertainty and a subdued market weigh on collectors, dealers are finding that the appetite for high-priced works has cooled

In conversation: Pooya Abbasian
Ahead of two group shows in and around Paris, the dissident French-Iranian artist Pooya Abbasian talks about his association with invasive plants, the deceptive truth of documentary and the visit to France that became fifteen years of exile

Help! I Hate My... Broken Artwork
Artworld Agony Aunt Charlotte Jansen advises a panicked gallery assistant through the crucial steps of damage control after an artwork mishap

Paris Photo Looks to Younger Collectors in Its Bicentenary Edition
As the fair marks 200 years of photography, its programme spans historical work, environmental concerns and AI-generated images
-27.jpeg%3F2026-10-01T16%3A18%3A12.952Z&w=3840&q=100)
Sagarika Sundaram: Taking Wool Seriously
At her first solo museum exhibition in Leeds, Sundaram discusses the physical demands of her felt sculptures, the politics of cloth and why collaboration should not diminish her authorship

Sotheby’s Unveils Blaquier-Arrieta Collection Estimated at $450m
Led by rarely seen works by Van Gogh and Cézanne, the November sale is being touted as a coup for Sotheby’s – and offers another test of how far exceptional collections can propel the auction market’s recovery

The Good, the Bad, the Ugly: The Armory Show
Once upon a time on Manhattan’s far West Side: Aimee Walleston visits the Armory Show, where the art has to compete with the sheer misery of the Javits Center.

At Contemporary Istanbul, Politics Is Everywhere – Except The Art
At Turkey’s annual art fair, talk of political uncertainty competes with lavish hospitality. Over a week of art and dinners, the politics of who is funding the fair is more conspicuous than anything in the booths. For Private Views, Gabriella Angeleti reports

Martha Diamond Finally Gets Her Own Show in Europe
Admired by fellow artists but little known to wider audiences, Martha Diamond made New York’s skyline her own. Her first European solo exhibition, at Finland's Sara Hildén Art Museum, asks us to look beyond the cityscape

Turner Prize 2026: What to See and Who Might Win
As the Turner Prize opens in Middlesbrough, we look at what its four shortlisted artists are asking viewers to see – and set the early odds on who might take home the £25,000 prize

Help! I Hate My... Work Crush
Art world Agony Aunt Charlotte Jansen advises a gallery artist liaison struggling to balance her professional relationship and personal feelings for an artist she works with
More to explore

Is the Great Wealth Transfer Already Reshaping the Art Market?

In Rio, the Art Market Plays It Safe

In conversation: Pooya Abbasian

Help! I Hate My... Broken Artwork

Paris Photo Looks to Younger Collectors in Its Bicentenary Edition
-27.jpeg%3F2026-10-01T16%3A18%3A12.952Z&w=3840&q=100)
Sagarika Sundaram: Taking Wool Seriously

Sotheby’s Unveils Blaquier-Arrieta Collection Estimated at $450m

The Good, the Bad, the Ugly: The Armory Show

At Contemporary Istanbul, Politics Is Everywhere – Except The Art

Martha Diamond Finally Gets Her Own Show in Europe

Turner Prize 2026: What to See and Who Might Win

