Features

Following the many controversies of the Biennale’s opening, are we in for more of the same? That isn’t the intention, says Ukrainian-Jewish artist, Anna Kamyshan

Andy Burnham's incoming government will give regions greater control over cultural investment. How will England's national funding system built deal with it?

From contracts and communication to trust and ambition, leading dealers explain what artists should look for before saying yes

Behind every museum acquisition lies years of careful relationship-building, far removed from the appearance of overnight success.

In the first of a column on micro-galleries and odd-spaces, Ella Slater talks to Galerina, whose London space counters the white cube with ostensibly taboo gallery design features

The Indonesian fair has spent two decades quietly forging an alternative model – foregoing gallery invitations in favour of direct access

The vast showcase returns with spectacle, sincerity and unease, as Ruba Katrib’s debut selection tests whether monumental scale can still carry real critical weight.

The Milburn Report recently revealed that over a million young people in the UK are not in education, employment or training. For those leaving art school, it’s a familiar tale

A new report reveals a talent pipeline and professional development crisis for women working in the arts

Emerging galleries have been integral to London Gallery Weekend since its inception five years ago, but their existence is getting more precarious each year

At the Venice Biennale, a solo exhibition by artist Vyacheslav Akhunov draws Uzbekistan’s inherited legacy of architectural symbolism into relief

A huge donation will future-proof the centre’s Norman Foster-designed building, but also highlights the growing importance of mega donors within Britain’s cultural sector